They clothes are pretty, but there is more.
fila 96 grant hill They are hyper saturated, seeming a bit like our intake on different types of media. I like how these clothes seem to be reaction to our surroundings, neither good or bad. The clothes might seem futuristic, more so because I think very few people will be wearing them and they will be influential later, but i do think they are very current and representative of today. Bonjour Cathy, Heck, this blog is better than Comedy Central. Are you guys kidding?. Balenciaga's "Shrug Your Shoulders" collection is hysterical. Nicholas has been watching too much Ugly Betty. C'mon Cathy get back on the bike, grab yourself a drink at the Hotel Ritz then camp out at No. 5 Rue Cambon. That's where all the action is baby. Catch my drift?.
Most people aren't very interested in Self-Exploration unless it provides some solace to their problems Size Shoes Ladies Post D Flats Sandals 39 Rosa Toe Balenciaga XiuOkTPZ, and many of these labels do that. They come at the cost, though, of people clinging to them as a definite end rather than a means towards greater discoveries. It's important to remember this: no person falls entirely into a "label" 100%, everyone has different degrees and different qualities to them. In our journey
fila ray of self-discovery, it's also important to be aware that labels can hinder the growth of a person. When we label ourselves something fixed, finite and static (as is the nature of dead words), then it does not allow for us to change or to grow.
I have observed people who have labelled themselves as "Introverted" growing to enjoy more extroverted activities through time, in essence, developing more " ambiverted " qualities. I've
fila running shoes helped people identify as "Bisexuals" who also later developed " Pansexual " attractions, as well as Old Souls Size Shoes Ladies Post D Flats Sandals 39 Rosa Toe Balenciaga XiuOkTPZ who felt they weren't because they enjoyed gossip and social gatherings. ÿþCountess Mona von Bismarck locked herself in her bedroom for three days upon learning that her couturier, Cristóbal Balenciaga, had closed his fashion house. Vogue's Diana Vreeland, who was visiting her at that time, could totally understand the reaction of her dear friend: "I mean, it was the end of a certain part of her life!" Von Bismarck, after all, ordered no less than 150 Balenciaga garments when a train carrying a good portion of her wardrobe was derailed, aside from the average 80 she would get every season.
His models were even referred to as "monsters, " specialized in the "disagreeable air"
fila gold that the designer said a truly distinguished woman always has. They did not even have to be thin. "Mr. Balenciaga likes a little stomach, " said one of his fitters. Insisting on using his models for magazine shoots, exasperated editors would just end up featuring the back of the clothes or resort to decapitating the models' heads. But the clothes weren't just stunning. "They were marvelous to wear, " according to Celia Bertin. "Women who wear his suits seem to have them molded on to their bodies while leaving them complete freedom of movement. Balenciaga was always first a master tailor. His silhouettes may have been faultless but were made for a living, moving, avid body. " The evening dresses, on the other hand, had a sense of grandeur.
The two couturiers were such aesthetic soulmates to the point that Balenciaga referred all his valued clients to his protégé when he closed his house in 1968. A lace evening dress on exhibit shows how Givenchy followed the master in the precision of his work. The layers of lace, embroidery, coral and glass beading are built up meticulously to form a cohesive design where each embellishment is deliberate. "If you use flowers, " Balenciaga advised him, "then place the flowers in an intellectual manner. " This cerebral approach to couture is what made a Balenciaga so special. "One begins to see how addictive his clothes must have been, with the attunement to the slightest needs of the body, their secret eroticism, their endowing of confidence and distinction, " according to Celia Bertin. "All this the wearer enjoyed on the inside while on the outside she was bodied forth by legendary tailoring which sculpts and remodels the body of the wearer, rendering her at once completely herself and ever so slightly transfigured. "
Last month, the Italian sportswear brand Fila staged its very first runway show for Milan Fashion Week. Antonino Ingrasciotta and Joseph Graesel, the brand's creative directors, delivered a very safe
fila tractile men's trail running shoes collection. There were hints of Fila's nineteen-seventies tennis heritage polos with napkin-sized collars alongside billowy suits paired with sneakers. It was a show given by a label that is cashing in on recently built-up capital in the vintage market. Fashion folks continue to dig through their closets for old sportswear, and Fila, which first underwent a revival in niche communities, is now trying to see how far its image can stretch. At the last Milan Fashion Week, Fila made an appearance when the Instagram artist Hey Reilly repurposed its distinctive
font in a " tongue-in-cheek " collaboration with Fendi.
